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It's a great starting point for portraits-a convenient pre-mixed neutral peach color, opaque and warm. Use it to rough in areas, then add glazes and...
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Semi-transparent Naples Yellow is a soft muted yellow and in mass tone has a slight Ochre cast.
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Semi-transparent Nickel Titanate Yellow is a light sunny yellow in mass tone, and when mixed with white becomes a buttery yellow.
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Hansa Yellow Light is a bright lemony yellow with a touch of green. This semi-transparent becomes even more illuminated when mixed with white.
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Bismuth Vanadate Yellow, a clear, bright lemon yellow, is a brilliant non-toxic alternative to Cadmium Lemon Yellow. Made with a pigment used...
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Semi-transparent Hansa Yellow Medium retains some of the lemon brightness of Hansa Yellow Light, with added warmth and depth by leaning...
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Azo Yellow is a bright mid-range yellow that lightens with white without any greenish undertones and mixes beautifully with other colors. This warm...
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Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated and...
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Daniel Smith offers a professional quality replacement for Cadmium Yellow Light Oil. Our Cadmium Yellow Light Hue is a mixture of modern pigments...
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We use a mixture of modern pigments to mimic classic Cadmium Yellow Medium. It's a rich, orange-leaning school bus or sunflower yellow. Very strong...
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Semi-transparent Hansa Yellow Deep is a rich golden squash color with touch of orange in mass tone, and when mixed with white becomes a mellow golden...
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Transparent Indian Yellow in mass tone simply glows with a natural pumpkin color (not a bright orange) and when mixed with white takes on more golden...
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A semi-transparent yellow mustard color in mass tone, Cobalt Yellow (Aureolin) when mixed with white, becomes a lemon yellow.
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Semi-transparent Permanent Orange is saturated and leans toward yellow, Permanent Orange resembles Cadmium Orange in color and characteristics.
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A mixture of modern pigments that creates this opaque, classic medium orange - a perfect substitute for traditional Cadmium Orange. It's so richly...
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Made for glazing, the pigment used in this color is naturally transparent; even brushed on straight from the tube, it will be influenced by any...
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It's our gorgeous modern replacement for Cadmium Red Scarlet. It's a warm, glowing tomato red straight from the tube. Mix it with white to produce a...
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Semi-transparent Perinone Orange is a brilliant orange with a hint of red.
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Semi-transparent with a scarlet-orange undertone, it yields a warm peach color when mixed with white.
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Offers a non-toxic, economical alternative to classic Cadmium Red. It's a vibrant, strong primary red, great both for mixing and painting straight...
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Living in a luxurious state between magenta and fuchsia, Pyrrol Crimson is a delicious red just begging to find its way into your rose garden....
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Our vivid Napthol Scarlet is an intense lipstick red. Clean, bold, fiery and opaque, it commands attention in juicy brushstrokes straight from the...
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Semi-transparent Permanent Red is a bright true red, and the coolest of our reds, except for Permanent Red Deep which it is equal too, though lighter...
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Semi-transparent Pyrrol Scarlet is a tomato red, warmer that Pyrrol Red and mixes very cleanly. A modern synthetic-organic pigment.
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Rich, deep true-red in mass tone, and when mixed with white a warm pink, Quinacridone Red is transparent and like all Quinacridones is vibrant and...
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Semi-transparent Permanent Red Deep is a bright true red, and the coolest of our reds, except for Permanent Red which it is equal too, though deeper...
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Semi-transparent Pyrrol Red is a fire engine red similar to Permanent Red, cooler than Pyrrol Scarlet and is a very clean mixer. A modern...
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Rich deep red in mass tone, and when mixed with white a warm pink, Quinacridone Rose is transparent and like all Quinacridones is vibrant and mixes...
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Semi-transparent Perylene Scarlet fairly dark red in mass tone, and leans towards the warmer spectrum.
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Rich, deep red-orange in mass tone and when mixed with white a clear coral, Quinacridone Coral is transparent and like all Quinacridones is vibrant...
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Dark, deep red-violet in mass tone, and when mixed with white a clear bright pink, Quinacridone Pink is transparent and like all Quinacridones is...
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Anthraquinoid Red is a modern color similar to traditional Alizarin Crimson, which some artists have replaced with the slightly warmer Anthraquinoid...
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Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and landscapes. It's equally beautiful at full strength or mixed...
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This rich wine color is made from an azo pigment and is ideal for glazing. Mixed with white, it makes a spectacular pink.
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Rich, deep, slightly violet-red in mass tone, Quinacridone Fuchsia is transparent and like all Quinacridones is vibrant and mixes very cleanly.
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Rich, deep red-violet in mass tone, and when mixed with white a vivid violet pink, Quinacridone Magenta is transparent and like all Quinacridones is...
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Dark red-violet in mass tone, and when mixed with white a clear warm violet, Quinacridone Violet is transparent and like all Quincridones is vibrant...
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This very dark, inky violet becomes a rich purple when mixed with glazing medium and a gorgeous glowing lavender when mixed with white.Daniel Smith...
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Alizarin Crimson is a historical rich red color with blue undertones has been an important color on artists' palettes for hundreds of years, and is a...
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We use a mixture of modern pigments to create this significantly more light-resistant alternative to classic Alizarin. It's more opaque than the...
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This deep lavender-violet mineral pigment, with its naturally occurring silky sheen, comes from scarce deposits of manganese phosphate, the best of...
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Dashing and bold, Pyrrol Crimson is a passionate red for color lovers. Straight from the tube, this deep crimson is very similar to the color of...
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Cobalt Violet Deep a transparent dark violet with red tones that when mixed with white becomes a true lavender.
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Cobalt Violet Light is an intense red violet in mass tone and when mixed with white, the transparent color a cool pink.
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Semi-transparent Perylene Maroon is very dark red with a touch of brown in mass tone, when mixed with white becomes a warm maroon, warmer than...
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Semi-transparent Potter's Pink a deep pinkish brown in mass tone with good tinting strength. When mixed with white becomes a delicate, neutral rose...
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Manganese Violet is a semi-transparent warm, reddish violet that is very dark, almost maroon in mass tone.
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Semi-transparent Naphthamide Maroon is very dark in mass tone, and when mixed with white or medium becomes a grayed reddish violet, cooler than...
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Transparent Ultramarine Violet in mass tone is a very dark violet with a touch of red and is similar to Manganese Violet but with the warmer red...
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Carbazole Violet is nearly black in mass tone and when mixed with white reveals itself as an intense, vibrant violet.
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This mixture of alizarin crimson, ultramarine blue and viridian creates a beautiful neutral violet ideal for shadows. It has a subdued, delicate...
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Indanthrone Blue is a deep blue-black in mass tone, and this transparent warm blue will remind you of denim blue when lightened with white or thinned...
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Semi-transparent Prussian Blue is very dark in mass tone, and when mixed with white is similar to Phathalo Blue (Green Shade) though slightly...
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Phthalo Blue (Red Shade) is dark in mass tone, very transparent with strong tinting power for mixing, a real workhorse color for your palette....
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A classic blue, French Ultramarine is a semi-transparent, intense blue, and nearly black in mass tone. A great mixer with other colors, and mixed...
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Ultramarine Blue Deep is transparent and is very similar to French Ultramarine which is semi-transparent and a touch warmer.
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Transparent Permanent Blue is a very dark warm blue in mass tone and when mixed with white the very slight reddish shade becomes visible making the...
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Phthalo Blue (Green Shade) is dark in mass tone, very transparent with strong tinting power for mixing, a real workhorse color for your palette....
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Lapis lazuli has been prized for its beauty, its mystical and healing properties, and its perfection as a pigment. Ancient civilizations believed...
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Cobalt Blue is a semi-transparent primary blue great for mixing or used by itself.
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Semi-transparent Light Blue Violet is a cool light blue with a hint of violet, think light violet blue flowers.
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A semi-transparent color, Cerulean Blue Chromium in mass tone, is a warm blue and becomes sky blue when mixed with white.
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Mediterranean Blue is an opaque medium blue with a slight, very slight green cast, think deep clear Mediterranean water.
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Manganese Blue Hue is a beautiful cool transparent blue.
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Natural Sleeping Beauty Turquoise Genuine comes from the Sleeping Beauty Mountain in Arizona. This unique, vibrant sky blue pigment is lightfast and...
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Cobalt Teal Blue is a clear, bright semi-transparent greenish blue. This gorgeous color makes great tropical sea colors both in mass tone and when...
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Phthalo Turquoise is dark in mass tone, transparent and as with all Phthalos' has strong tinting power. This blue-green, peacock color is cooler than...
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Amazonite Genuine is a strong and pure color with a surprising mineral luster that adds depth to any painting. A highly transparent quality makes...
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Viridian is a transparent cool green with more blue than Phthalo Green. Has an excellent lightfastness.
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Phthalo Green (Blue Shade) is dark in mass tone, very transparent with strong tinting power for mixing clear colors. Slightly cooler than Phthalo...
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Phthalo Green (Yellow Shade) is dark in mass tone, very transparent with strong tinting power for mixing clear colors. Slightly warmer than Phthalo...
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Cascade green takes its cues from the conifer forests, rushing streams and alpine meadows of Washington State. As you brush it on, enjoy rich,...
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Hooker's Green is quite dark in mass tone, and in full strength a warm dark green, excellent for landscapes. When mixed white semi-transparent...
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Semi-transparent Permanent Green has high-staining properties, and yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa...
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Semi-transparent Permanent Green Light, is a lighter version of Permanent Green has the same high-staining properties, and yields a very clean,...
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Chromium Green Oxide is a warm, opaque green perfect for the soft greens of mid-summer landscapes.
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Dark green in mass tone, transparent Sap Green lightens to a clear olive green with none of the grayed tones in other olive greens and mixes cleanly....
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Semi-transparent Olive Green is a deep olive drab in mass tone and when mixed with white becomes a grayed sage green.
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Semi-transparent Malachite Genuine is a clear, yellowish green made with pigment ground from the distinctively patterned gemstone. Used in ancient...
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Cobalt Green Pale similar to Cobalt Green Deep, but warmer with a touch of yellow and is transparent. When mixed with white is a very good color for...
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Transparent Terre Verte, roughly translated as "green earth", is a classic warm green that has been used by artists since antiquity. Has an excellent...
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A wonderfully surprising opaque light green with the vivid color of tiny new leaves. Fresh and modern, tart as limeade, it's a great choice for...
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Cobalt Green Deep is a semi-transparent bluish green that is perfect for painting evergreens in a landscape.
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Cobalt Turquoise is similar to Cobalt Green Pale with more blue and very close to true turquoise. Warmer than Phthalo Turquoise.
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A beautiful spring pea green, transparent Green Gold, mixes with white and becomes a tempered chartreuse.
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Semi-transparent Rich Green Gold is a bright deep olive in mass tone, and mixed with white become a golden warm green.
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Burgundy Yellow Ochre is a suprisingly intense and warm earth-color. More transparent than most ochre pigments, Burgundy Yellow Ochre creates subtly...
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Yellow Ochre is one of the earliest known earth pigments and was used by ancient man to paint onto cave walls. Transparent with excellent...
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Yellow Ochre Light part of the Ochre family of pigments, are some of the earliest known earth pigments used by ancient man. Yellow Ochre Light has...
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Ochre is one of the earliest known earth pigments and was used by ancient man to paint on cave walls. Natural Yellow Ochre is one of several colors...
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Semi-transparent Raw Sienna is one of the earth pigments used by ancient man to paint onto cave walls. Similar to the Yellow Ochres, but with more...
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Rich, deep golden-brown in mass tone and when mixed with white a clean gold, Quinacridone Gold is transparent and like all Quinacridones is vibrant...
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Semi-transparent Magnesium Ferrite is rich, warm caramel color.
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Transparent Yellow Oxide is similar to Yellow Ochre, but is a much darker golden brown in mass tone with more yellow tones when mixed with white.
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Transparent Earth Orange is similar to Raw Sienna, but is a much darker orange-red brown in mass tone with more orange tones when mixed with white.
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Transparent Red Oxide, a rich and earthy burnt orange, is a wonderful addition to any palette. Create glowing glazes with this highly transparent...
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Dark, golden-orange in mass tone, Quinacridone Burnt Orange is transparent and like all Quinacridones is vibrant and mixes very cleanly. When you buy...
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Transparent Verona Gold Ochre is similar to Yellow Ochre and has a touch of green-gold.
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Rich, deep red-orange in mass tone and when mixed with white a golden-orange sienna, Quinacridone Sienna is transparent and like all Quinacridones is...
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Sedona Genuine, the ruddy hue of Sedona's famed red rock sentinels is made with rock from the Arizona desert. This timeless color - lightfast, richly...
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