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Our Watercolor Masking Fluid is easy to use with the bottle applicator, the included 5, fine-point applicator tips or with an inexpensive brush....
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Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement. Unique to Daniel Smith, Buff Titanium resembles...
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This semi-transparent Yellow Green appears opaque in mass, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark...
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This semi-transparent Yellow Green appears opaque in mass, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark...
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Cleaner, more transparent and brighter in chroma than Cadmium Yellow Light, this is a high-tinting, semi-transparent organic pigment. Hansa Yellow is...
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Cadmium Yellow Deep Hue - A rich, warm yellow with a golden glow. ASTM Lightfastness Rating: Very Good Transparency: Semi-Transparent Staining:...
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Cadmium Yellow Medium Hue is a rich, bright and intense alternative to Cadmium Yellow. Using a blend of pigments, our chemist has duplicated the...
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The transparent non-staining properties of this cool yellow can effectively warm darker hues without affecting their transparency. Landscape artists...
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Lemon Yellow, a brilliant primary yellow, is the perfect pigment for mixing a range of hues when a clean yellow is necessary. This saturated, bright...
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Hansa Yellow Medium is a high-tinting, semi-transparent organic pigment. Considered the 'perfect yellow', Hansa Yellow Medium offers more control...
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Consider non-staining lightfast Naples Yellow a bonus pigment. A true butter colour, this Cadmium Yellow Light with a touch of Venetian Red is made a...
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Don't let the old line "made from the urine of cows fed an exclusive diet of mango leaves" deter you from adding Indian Yellow to your palette;...
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Kissed with a touch of orange, this is a pure chroma colour with high-tinting, semi-transparent organic pigments. Hansa Yellow Deep is considered the...
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Unlike other brands, Daniel Smith New Gamboge is an excellent lightfast formulation. It's a transparent organic pigment from the yellow to orange...
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Mixing beautifully with other colours, Permanent Yellow Deep yields a bright tangerine hue when used at full-strength and light washes are a soft...
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This unforgettable semi-transparent orange is a smooth, saturated and pure addition to the watercolourist's palette. Capture the glory of a summer...
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Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is equally lightfast, semi-transparent and low staining. Our...
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Perinone Orange, with its vast range from vivid intensity to pale, transparent fleshy washes, is a clear, clean vat pigment. From carrots to soft...
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This clear, dark, red-leaning orange thins into perfectly smooth washes. The colour is vivid and warm, lovely used on its own, and great in mixes....
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This semi-transparent low-staining deep orange is sometimes called Scarlet Lake or Rose Carthame. Oranges can be very difficult to work with, but...
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A treat for the eyes of both painter and viewer, this intense Quinacridone colour is a clear red tinged with pink and orange. Highly durable and...
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Permanent, semi-transparent and medium staining, this fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic...
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Perylene Scarlet is medium staining and semi-transparent. It creates vivid, dark washes with a clean brilliant orange hue. This sedimentary pigment...
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This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic pigment. While close in value to its cousins the...
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Perylene Red is medium staining and semi-transparent. It creates vivid, dark washes with a clean brilliant orange hue. This sedimentary pigment...
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This red diffuses well with water - a treat when painting wet into wet or damp passages. The fussy edges this technique produces brings field poppies...
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Semi-transparent, lightfast and permanent, this pigment diffuses well with water, a treat when painting wet into wet or damp passages. The fuzzy...
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true, pure medium-staining red. Drop Naples Yellow into Quinacridone Red and create a peach, or paint dry brushstrokes onto apples. Highly durable...
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Warm violet-red, this slightly granular, super-staining vat pigment is one of Daniel Smith's greatest creations. Anthraquinoid Red offers artists a...
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A beautiful bluish-red pigment from the transparent staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists....
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Permanent Alizarin Crimson, developed with our customers, blends pigments to produce an exceptionally lightfast red with true Alizarin Crimson...
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Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and landscapes. Used wet into wet, it creates a soft,...
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Equal in staining capacity to Alizarin Crimson, but vastly superior in permanence, Carmine is also redder. This transparent staining pigment, rich...
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Transparent and non-staining, but impermanent, Rose Madder Genuine is used most often as a subtle pale pink glazing pigment and considered essential...
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The most vivid of all pinks, has long been requested by DANIEL SMITH customers. A primary magenta with a hint of fluorescent pink granulation...
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Potter's Pink is the lightfast pink that was used in English watercolour painting of the 18th and 19th centuries. Also used in ceramic glazes, it is...
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Quinacridone Pink is a precise perfect low-staining pink. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples....
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Quinacridone Rose, with its red-violet colour, lends itself to fabulous purples. Try with Indigo for deep dusty purples, or Indanthrone Blue for...
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This deep red violet disperses evenly with slight granulation and moves from deep darks to clear, glowing washes. Like all Quinacridone, it is an...
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Living in a luxurious state between magenta and fuchsia, Pyrrol Crimson is a delicious red just begging to find its way into your rose garden....
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A necessary watercolour for painters who embrace colour - a brilliant, slightly violet, red. Never bashful, Quinacridone Fuchsia remains strong even...
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A durable, staining azo pigment, Bordeaux is a velvety wine colour. Its slightly granular, semi-transparent properties work well with blotting,...
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Disperses evenly with slight granulation and moves from deep darks to clear, glowing washes. Like all Quinacridones, it is an extremely lightfast...
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The soft handling ability or even dispersion of this lightfast, semi-transparent pigment helps make this a fine pre-mixed violet. The rich medium to...
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A deep, luscious, grape-juicy reddish-violet. The masstone is dark and intense, shifting in tints toward a rich red violet with a brownish-purple...
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This pigment creates glowing shadows with interesting granulation. An inorganic pigment, it is considered transparent, non-staining (or low-tinting)...
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This pigment creates glowing shadows with interesting granulation. Cobalt Violet Deep is intense. This inorganic, transparent and low staining...
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To create this colour, Ultramarine Blue pigment is "baked". An excellent lightfast pigment that flows freely, leaving slight granulation in washes....
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This exciting blend mixes Quinacridone Rose and Ultramarine Blue. The blue settles as the rose floats, creating a vibrant, dimensional purple. For...
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Unlock a wealth of colour with this princely pigment. Rich in texture, this highly saturated purple will granulate to reveal shades of plum and...
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Ultramarine Blue pigment is "baked" to create Ultramarine Violet. It is an excellent lightfast pigment that flows freely, leaving slight granulation...
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"Oh my goodness-it's beautiful!" exclaimed one of our testers. And it is. Amethyst Genuine is a rich, true purple-it's almost black in masstone and...
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This slightly granular blue-violet is an intense, vibrant colour with high-staining properties. A brushstroke of concentrated Carbazole Violet onto...
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A beautiful granulating pigment from South Africa, is another standout PrimaTek® colours. First found in 1944 and named for its Japanese discoverer,...
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Water frees this amazing three-pigment blend to perform miracles. Watch and wait as Anthraquinoid Red floats, Ultramarine Blue settles and Viridian...
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A smooth gray-mauve in light washes, displays a fascinating granulation when used more thickly. Deep warm violet in mass tone, it reveals a slight...
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A brilliant purple with remarkable blue undertones and a granulating texture. Try mixing this bold colour with Prussian Green for surprisingly soft...
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This exclusive DANIEL SMITH colour is a stunner-a rich blue-gray with impressive granulation and dazzling, glittery sparkle. Its name comes from the...
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This organic Vat pigment is a super-staining primary blue. Warmer than most blues, Indanthrone is clear with a delightful range from blue-black to...
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Used since the early Egyption times, Indigo has been a very important colour in fabrics as well as art materials. Natural Indigo is a deep blue...
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Sodalite, with a distinctive deep blue colour is one of the components of Lapis Lazuli and very rare. DANIEL SMITH Sodalite is the finest quality and...
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Lapis lazuli has been prized for its beauty, its mystical properties, and its perfection as a pigment. Ancient civilizations believed that the veins...
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A fascinating historic blue that was popular from the Egyptian dynasties through the Renaissance. The pigment is a finely ground potassium glass,...
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A true blue. A blue's blue. Verditer Blue is an historical pigment with a place on every palette. Begin with a dark application, a deep azure lake,...
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This neutral, non-staining primary blue will subtly modify most pigments. Considered a "mixing pigment", its transparent nature can cast a giant...
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Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature aside, both blues have equal permanence,...
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This medium-to-dark warm reddish-blue is highly lightfast and of medium tinting strength. Its sedimentary quality increases its versatility. Mixed...
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A powerful blue with a slightly red undertone, this popular pigment is valued for its strength and economy—just a daub of paint can colour a whole...
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For cool, clean staining shadows and reflected light on windows. Super staining, super transparent Phthalo Blue is a popular pure chroma organic...
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Float this colour into a moist wash to add variety to shadows. Daniel Smith Prussian Blue is lightfast and transparent, with medium to high staining...
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Best when mixed with a transparent pigment, this sky blue inorganic pigment is granular and medium-light in value. Highly permanent and extremely...
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This cool turquoise blue is ideal for creating form or indicating space. It is a medium-staining semiopaque pigment with wonderful granulating...
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A unique and vibrant blue, it comes from Sleeping Beauty Mountain in Arizona where we found a deposit that lives up to our high expectations. It is...
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Extraordinarily beautiful colour for painting turquoise blue skies, a must have for sunny Mediterranean skies and Tropical seas! Mixing with this...
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This Daniel Smith exclusive is a favorite of artists. It moves from a deep dark turquoise to a thin film of robin's egg blue in a single wash, making...
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Semi-transparent Ultramarine Turquoise is the granular, low-staining "cousin" of Phthalo Turquoise. Use it when less stain and more granulation is...
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Gorgeous in colour, Blue Apatite is a striking mineral that is rarely used in jewelry due to its relative softness. As an artist's pigment, though,...
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The fabric of the night sky glides off the brush in this heavenly new shade. Granulating lunar black floats above a phthalo undertone, perfect for...
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Daniel Smith has acquired a unique supply of the precious mineral Amazonite from Brazil. It's a strong pure colour that is completely transparent,...
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A predictable staining teal blue with muscle and the presence to stand alone but when used in a glaze or wash it blends with incredible ease. Because...
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Cobalt Green Pale, a green-blue, is similar in application as Cobalt Green. All inorganic, they are considered transparent and non-staining (or...
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Made from pure Fuchsite, a mineral with mica-like characteristics, this colour creates a luminous pearly green shimmer. Soft, subtle with a pearly...
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Seldom used at full tube strength, this transparent non-staining pigment is an excellent glazing pigment and a portrait painter's essential. It's a...
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Phthalo Green Blue Shade is a black-green. Concentrated to diluted states, it is a transparent and super staining green. Organic and absolutely...
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A dark, slightly turquoise blue-green, this innovative colour is deep and concentrated, making it an ideal choice when maximum colour strength is...
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Terre Verte, roughly translated as "green earth", is a classic green that has been used by artists since antiquity. Transparent and non-staining,...
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The craggy peaks of the Cascade Mountains divide lush, damp western Washington from the dry high plains of the east. Conifer forests, rushing streams...
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This exceptionally beautiful PrimaTek® colour is made from the more strongly coloured of the two minerals known as jade - the other is Nephrite. Used...
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Phthalo Green Yellow Shade is a bottle green. In concentrated to diluted states, it is transparent and super- staining. Organic and absolutely...
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Low to medium-staining, Hooker's Green is a warm, natural green. Useful in formulating greens of all sorts, this Irish shamrock green combined with...
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A mid-range green-yellow, useful for mixing middle value grays. Introduce non-staining complementary colours to warm or cool the mix. An inorganic...
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Permanent Green, an organic, semi-transparent pigment with high-staining properties yields very clean, vibrant mixtures. The Phthalo Green Blue Shade...
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This organic semi-transparent pigments, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo Green Blue Shade and Hansa...
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PrimaTek® Green Apatite Watercolour lets you create a beautiful range of greens-fresh yellow-green to deep olive-with a single tube. This sedimentary...
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If you want to add atmospheric or emotional punch to your work, then squeeze some semi-transparent Perylene Green onto your palette. It exhibits an...
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We bring you an unusually beautiful Serpentine pigment from the land down under. This Australian green-colour serpentine is of a variety called...
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